Yang’s practice spans a wide range of media, from paper collage to performative sculpture and large-scale multi-sensorial installation, often featuring everyday objects, in addition to labour-intensive woven sculptures. Tate St Ives opens the UK's largest exhibition to date by celebrated South Korean artist Haegue Yang Sol LeWitt Upside Down - Structure with Three Towers, Expanded 23 Times, Split in Three, Haegue Yang, 2015, Powder-coated aluminium, steel, plastic, LED lights and nylon. Non-Indépliables, nues 2010/2020. Articulated using her abstract visual vocabulary, her … Haegue Yang is renowned for creating immersive environments from a diverse range of materials. Berlin-based South Korean artist Haegue Yang has been taking the art world by storm and her largest exhibition to date in the UK opens at the Tate St Ives on 24 October. Another strand to Yang’s work is her fascination with human responses to nature, from the primal via the surreal to the downright dysfunctional. Visitors will encounter otherworldly, creature-like sculptures made of artificial straw from Yang’s The Intermediates and Sonic Intermediates series as well as the gigantic Reflected Metallic Cubist Dancing Mask. Copyright © 1893–2021 Studio International Foundation. With thanks to the Li Yuan-chia Foundation and Studio Haegue Yang in Berlin and Seoul. by Sinéad McCarthy, exh. It will be accompanied by a catalogue published by Tate Publishing and designed by Berlin-based Studio Manuel Raeder, as well as a programme of talks and events in the gallery. This one Yang has copied, and accompanied it with other similarly cosmic themed companions. Haegue Yang. With a National Art Pass you get. Their hollow centres, a tribute to Hepworth’s sculptural signature, erupt with fluffy black synthetic straw, giving them a flamboyant, feminine flourish. Haegue Yang. But it is Li, whose single work in the Tate St Ives collection Yang discovered while researching for this show in 2018, who apparently helped to consolidate the idea to incorporate biographical tributes to this important 20th-century trio in the show. If they are meant to suggest doors, where are they and where might they lead? Her colourful installations and performative sculptures frequently combine domestic and industrial materials with sound and light. Gloriously fun and chaotic, Haegue Yang's exploration of the domestic, cultural and spiritual responses to the natural world is a definite conversation starter. Photo: Tate (Matt Greenwood). There are, indeed, resonances between all the works in this room – should you care to look for them – and also with those she has assembled in the adjacent, gallery 5, a much smaller room where a couple of Hepworth and Gabo pieces sit alongside many more of Li’s, including a large, beautifully made tapestry that Li and his collaborators at his museum created; one more serendipitous connection Yang discovered during her research was that this tapestry was worked on by Kate Nicholson, daughter of Hepworth’s husband, Ben Nicholson. With additional support from Kvadrat, Tate Members and Tate St Ives Members. Making Doha at National Museum of Qatar 2019. @tate. Courtesy of Galerie Barbara Wien, Berlin. I never stop examining. The main thematics of meteorology come through the exhibition and this environment. Handcrafted over the centuries by local needlewomen, the church’s kneeling cushions fascinated Yang, in particular one that depicted a solar eclipse. Courtesy of Galerie Barbara Wien, Berlin. Photo: Sang Tae Kim, Haegue Yang. Room 32 – the largest and one of the most visited rooms of the National Gallery displaying 17th-century Italian paintings by artists including Caravaggio, Artemisia and Orazio Gentileschi, Guido Reni and Guercino – will reopen with an enriched re-hang in July 2020 after a 21-month refurbishment. If connoisseurship was already thought to have an “antique ring” as early as 1950, this tendency would only increase, to the detriment of Kenneth Clark’s reputation. Hepworth and Gabo have obvious links with St Ives – both adopted this part of Cornwall to carry out their bold, modernist experimentations; Hepworth’s garden studio is preserved in gently faded splendour a five-minute walk down the road. Studio. The new gallery will be divided by free-standing triangular wall structures. “These are scenes that might conjure up the landscape around here, but they are also universal. Haegue Yang: ETA 1994-2018, ed. Sonic Intermediates – Three Differential Equations, 2020. Born in South Korea in 1971, Haegue Yang is based in Berlin and Seoul and teaches at the Städelschule in Frankfurt am Main. Installation view of Haegue Yang: Strange Attractors at Tate St Ives, 2020. Major exhibition of existing and new work by South Korean artist Haegue Yang, renowned for her vast and non-binary artistic languages.The materiality and aesthetics of her work are derived from her inventive methods, from using industrial and everyday materials to labour-intensive and craft-based procedures that create creature-like sculptures. Ultimately nature has more control over humanity, as we’re seeing time and time again.”. Sonic Intermediate – Parameters and Unknowns After Hepworth (part of Sonic Intermediates – Three Differential Equations, 2020). Back. art at MMCA & Tate Modern. That level of inattention galvanises so much of my work ’, Christo & Jeanne-Claude’s London Mastaba Rises Again – and Again and Again, Heather Phillipson – interview: ‘I wanted to respond to the loaded political position of Trafalgar Square’, Kate Mieczkowska – interview: ‘I have always loved being in front of a big painting. Haegue Yang (b. Those unfamiliar with the Berlin-based, South Korean artist’s work might experience a moment of panic – a realisation that, whatever cultural encounter is being laid before your startled eyes, you don’t speak this language; followed by a frantic recalibration of visual and associative sensibilities. Words by Jessica-Christin Hametner. Kenneth Clark: Looking for Civilisation Haegue Yang Tate St Ives – Strange Attractions. Wilhelmina Barns-Graham: In Perspective – The Late Works 1971, South Korea) lives and works in Berlin, Germany and Seoul, South Korea. These processes reflect pagan cultures and their deep connection with various seasonal rituals in relation to natural phenomena. Powder-coated steel frame, mesh and handles, casters, turbine vent, brass, copper and nickel plated bells, metal rings, plastic twine, broom. Haegue Yang in her exhibition When The Year 2000 Comes at Kukje Gallery, Seoul, 2019 © Haegue Yang, courtesy Kukje Gallery, Seoul. Tate St Ives, United Kingdom October 24, 2020 – May 03, 2021 This autumn Tate St Ives will stage Strange Attractors, the UK’s largest exhibition to date by celebrated South Korean artist Haegue Yang. This autumn Tate St Ives will stage Strange Attractors, the UK’s largest exhibition to date by celebrated South Korean artist Haegue Yang. I can see they might also be wryly poking fun at our human tendency to pray for divine intervention as a means of clearing up our own messes or averting disaster, although Yang’s intentions here may have been more generous. 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